Like a lot of folks, I’ve been baking sourdough bread this year, and I wanted a bread lame to score the top.
While making a few other projects, namely spoons, I split two small pieces of cherry with a natural curve that I thought would be perfect for a bread lame, so I got to work shaping them and looking for hardware.
I did the rough shaping on the shavehorse with a drawknife, then did the final shaping with a Foredom flex shaft carving tool, sanded up to 400 grit, and coated them with mineral oil and beeswax.
The razor blade is held in place by 8-32 x 1/2 in knurled brassknobs that pinch the blade in a small groove cut down into the wood.
Back in September I made a serious effort to learn how to turn wood on the lathe. I turned a few tenons on the stool legs earlier this year, but that is it. I was on the hunt for a good beginner project and Amanda asked for some candlesticks, so I got to work.
As far as beginner/learning projects go, simple candlesticks are a great option. They take more planning than just making something round, but can be as simple or as fancy as you’d like. I didn’t get very fancy. I kept these to simple curves and let the wood grain shine.
I made three sets:
2 cherry, one with a live edge
3 oak, all with a live edge
I made the five pine candlesticks from a Douglas fir 4×4 post left over from making our garden boxes this spring. They were inspired by a set that Amanda saw at West Elm.
I turned two individually, then planned ahead and turned three at once:
I finished them with mineral oil and beeswax. We used them at Thanksgiving and now have them on our mantle:
I turned the cherry candlesticks from some beautiful black cherry wood that my friends Erin and Tyler brought to me from a tree that they had cut down on their property. I sent these candlesticks as a thank you.
Since I turned these from a small log that the bark was still on, the grain pattern is completely different than the pine. It also had some cool bug damage inside that I kept. I chose to give one of them a live edge by leaving the bark on. I also finished these with mineral oil and beeswax.
They look great on Erin and Tyler’s mantle.
The oak candlesticks came from a limb off of a huge oak that fell in the woods at the end of our street. The trunk of the tree was pretty rotten, but the limbs I cut had some beautiful spalting. I loved the live edge I put on one of the cherry candlesticks, so I decided to make all three of these live edge.
I made a leveling jig to level the tops of these.
What I learned about turning through this project:
Sharp chisels make a world of difference. I bought a jig to make sharpening on the Shopsmith faster and easier.
Turning green wood (the oak) is very fast in the initial stages, but then it needs to dry for a few days before final shaping and sanding.
How to center irregularly shaped pieces of wood.
How to turn multiple items at once with a little planning.
Never turn something without planning it out first. “Figuring it out as you go” doesn’t work very well on a lathe.
Sanding something to 220 grit vs 800 grit makes a big difference. 800 almost makes the piece shine.
Sanding is easier with long strips of sandpaper that you loop under the work piece vs pushing a piece of sandpaper against the piece with your hand.
I used a step drill to make the holes in the top for the candles because it ends up tapered to better hold the candles.
We decided to change up our Christmas decor this year and go with an all natural aesthetic. Dried orange and cranberry garland, a basket instead of the tree stand, and wooden ornaments.
I’ve been learning how to do lathe work this year, so after Thanksgiving I started turning ornaments. I’m still pretty new to turning and had to throw about as many as I saved into the burn pile. Frustrating, but that is the way it goes when learning a new skill.
I first roughed them out and shaped them with a spindle gouge, then sanded them down with 80, 150, and 220 grit successively. On some of them I paused here and cut decorative grooves with a skew, then finished sanding with 400 and 800 grit. Then I cut them off the lathe, sanded the top, drilled a hole for the hook, and screwed in the hook.
I coated the ornaments with a mixture of beeswax and mineral oil that I heated up and buffed on with a rag.
Green wood, especially branches of a similar diameter as the finished ornament (and thus have the heartwood in the middle) will crack every time when they dry. This is why the spalted oak doesn’t have decorative grooves.
Turning without a center at both ends (like with a chuck that grips the wood from the outside) is a lot more delicate than turning with two centers. The wood can flex and cause a catch!
Using skews is tricky. I still catch more often than I’d like.
If you can turn the entire piece without removing it from the chuck, you should. It is very difficult to get it positioned exactly as it was, so you’ll have to reshape the piece after you put it back in the chuck.
Your chisels need to be super sharp when dealing with soft wood like cedar or pine, or else it will tear out. I have no finished pine ornaments and only one finished cedar ornament, but I tried five others.
In progress shots with a piece of oak:
Here are two in-progess shots of the spalted oak ones that eventually split. I turned them both out of a single piece:
Finished ornaments. The small spoon is a hand-carved bonus!
I made three wooden joiners mallets this year, following the Paul Sellers videos (1, 2, 3).
The first has a head of laminated Beech and an Ash handle. Mostly because that is what I had around!
There are no nails or screws in these, just wooden joinery. The handle and mortise in the head are both tapered to ensure a snug fit.
The process is pretty simple: Cut the head and handle to size, find the centers, plan out your mortise, drill out the mortise, chisel the mortise the rest of the way, shape the head, shape the handle, then coat!
It is rougher than the next two I made, which is to be expected for my first time cutting deep mortises like this with a chisel. I also didn’t pay as much attention to the corners as I did with the later ones. I don’t love the way this one looks, so I use it as my main mallet for chisel work and don’t mind banging it up.
After learning a few lessons on the first one, I made two more with Oak heads. One was a Father’s Day gift for my Dad with an Ash handle and the other has an Oak handle as well and is kept on the house bar for crushing ice. I didn’t take any progress pictures unfortunately. I did get to use my first mallet to make these, though!
I opted to let the heads soak up mineral oil to give them a little extra heft and to help keep them from splitting. After they soaked up oil for a few days, I let the surface dry out a little bit and then coated them with Mighty Bull’s Wax from Corey’s Bio Blends.
The ice crusher has a shorter handle and a smaller head. It works great with a Lewis bag!
Amanda was watching a video about different types of handmade pasta (we had a lot of time on our hands during the pandemic and finally got some flour!) and asked if I might be able to make a malloreddus board. I decided to give it a try!
I started with sawing and planing down a piece of Beech I had for the board:
I tried a bunch different methods of making the grooves:
Carving by hand didn’t work. I could never get lines that straight.
Using a Dremel didn’t work. Again, I couldn’t get lines that straight.
Using a Japanese pull-saw was okay, but still sloppy looking.
I don’t have a router, but a router table might have worked.
I ended up using a tablesaw tilted at a 45 degree angle and a bunch of homemade spacers, slightly wider and longer than popsicle sticks that I cut out of an old piece of fencing that I planed down. I started with all of the spacers, then I’d cut a groove, remove a spacer, and repeat.
It worked! Took me a little while to get the blade height just right, but I’m happy with how it turned out.
They needed a little clean up with some sanding sticks, but otherwise looked good!
I made two of them and cut them out in a round shape with a handle.
After some sanding, they were ready to make Malloreddus with!
I didn’t really have much of a side view, but this was enough to go off of.
For the wood, I decided to use a strip of maple I had. I planed it down to the thickness I wanted, then worked on figuring out the angle and overall width of the holder.
Next I cut a walnut accent piece and transferred the size onto the wooden holder and then chiseled that out and inlayed the walnut.
Then I chiseled notches for the end pieces.
Last I glued everything up, let it dry, sanded, added the back piece for a hanger, and coated it with a clear satin wipe-on polyurethane.
It holds about 20 Chemex filters and looks great on the wall!
Here is a quick sketch with dimensions:
If I make one again. I’d probably cut the middle piece out of a single piece of wood instead of trying to join two pieces. I unfortunately didn’t have a wide enough piece of wood to use and there was a pandemic on, so I made due.
Over the winter of 2018/2019 and summer of 2019 I built two Cape Falcon F1 skin-on-frame style kayaks. I want to be better about documing my projects here, so I’m taking a few posts to document the backlog.
The primary benefit of a skin-on-frame style kayak is how light it is. They end up being ~30lbs, so they are easy to carry with one arm and for one person to toss it on top of a car, not something you can do with a heavy fiberglass boat.
The first build was as a group with YPRC and took place from October 2018 to May 2019, with a two month break in the middle during the coldest part of the winter. Six of us built boats together twice a week and roughly kept pace, helping each other out as we went along.
I honed a lot of important techniques through this build:
using transfers and offsets rather than pure measurement
building jigs to help build something else
shaping with a block plane
peg and lashing for connecting wood without nails or screws
fixing mistakes (skin-on-frame is a forgiving medium!)
Routing the gunwales, laminating curved deck beams, chiseling straight deck beams, and assembling the frame:
Steam bending ribs, lashing the keel and stringers, shaping the stem, and finishing the frame:
Making coamings, cutting and sewing the skin, and applying polyurethane coating.
The finished boat!
The Second Build
After learning a lot on the first build, I teamed up with Jon Richer to build another alongside him at a faster pace so that Amanda could have her own kayak to go out in, too. We built two as a public demonstration at the Edward Hopper House Museum in Nyack, NY. We knocked it out in about 4 weekends with some travel in between. I was much more confident after having built the first one, which translated to a faster build time. It was a great feeling.
Things that we improved on the second build:
We used red oak for the ribs, which bent a lot better than the ash we had in the first round.
We cut all of the stock we needed in a single, albiet long, day, which saved us lots of setup time.
We made the middle deck beams first, which means that if we mess up that one we can always use it for the small deck beam at the end, which is much shorter.
We oiled the entire frame outside on a warm, sunny day, which allowed the oil to soak in better.
We used a faster method for tightening and sewing the skin on, which made it a 4 hour endeavor instead of 2 day 8 hour endeavor.
We were able to reuse some of the jigs we built in the first round, which sped things up.
Amanda and I absolutely love our kayaks and take them out regularly, both on the Hudson and inland lakes. I get a ton of joy every time we use them. Paddling in something that you built yourself and know every single part of just can’t be beat.
Two weeks ago while using the lathe on my Shopsmith Mark V, I heard what sounded like the belt slipping. I’d also been having some problems cutting heavy stock on the bandsaw attachment, so I figured it was time to change the old belts.
I had replacement belts on-hand from Jacob Anderson Shopsmith Repair, so I started watching his excellent videos to figure out how to tear down the headstock and replace the belts, I quickly realized what my actual problem was: The floating motor sheave was stuck open, so when I turned the Shopsmith up to higher speeds, the motor sheave didn’t close in relation to control sheave opening up, so the drive belt had too much slack and wasn’t getting any traction. After roughly 45 years, the sheave got gummed up with old oil, grease, dirt, and sawdust.
The floating motor sheave is number 119 in the diagram:
Since I had to tear down half of the headstock to get the motor out to work on the sheave, I decided to go the rest of the way and replace the upper Poly V belt as well. The whole thing needed some serious cleaning, oiling, and greasing anyway. My model was made in the mid 1970s and I don’t think it had ever been completely taken apart. The putty was still in the quill set screw at the top of the case. I don’t expect that is the kind of thing you replace after scraping it out.
Again, Jacob Anderson’s videos were incredibly helpful in figuring out how everything comes apart and goes back together. If you need Shopsmith parts, buy them from him!
The whole process took longer than I expected. It took me about 20 hours over the course of four days to take it completely apart, clean it, oil the moving parts, grease the bearings, and get it all back together again. I’m including the time I spent watching videos and making various jigs to help me work on it.
A few tricky points:
1. Removing the spring on the motor sheave.
The spring needs to be compressed in order to remove the retaining ring, and that spring has considerable pressure and a washer with it. Using Jacob Anderson’s advice, I drilled a hole through a piece of plywood and carved a groove for the washer to set in, pushed the spring down, and held it in place with some quick clamps. The washer still shot across the room, and it was pretty tricky to get back together again, but I don’t see any way it could have been done without something like this board.
2. Unsticking the floating motor sheave.
This thing wouldn’t budge by hand. I had to use a piece of plywood underneath and one on top, hammering them together to force it open. Once open, I did a good cleaning to remove the grime, then polished the shaft to help the sheave move. It still doesn’t move as easily as the top one for me, but it does move.
3. Putting the idler shaft (number 105 in the diagram) and eccentric bushing (103) back in after replacing the Poly V belt (55). The old belt was stretched out, but this one was much tighter. I also frustrated myself by stupidly putting the idler shaft and eccentric bushing back in once before putting the Poly V belt in and had to take it back apart. What a pain.
4. Calibrating the speed control
First, none of my three sets of Allen wrenches were long enough to get to the tiny screw inside the speed control face in order to take it off. I had to go out and buy some longer ones.
Second, you can’t adjust the speed control without moving the drives, either with the motor or by hand. This is not easy, especially since you probably set the control sheave open as wide as it could go (high speed) when putting the belt on. In order to calibrate it, you need to close down the control sheave to get it back in Slow mode. You shouldn’t start the machine at a high speed anyway, so you have to do this all by hand. Adding the disc sander attachment helps quite a bit by giving you something to turn like a steering wheel.
5. Putting the switch back in
I wasn’t paying close attention to the orientation of the switch and had just assumed it was still in the Off position, despite lots of jostling, so I had to be careful when plugging it back in for the first time. Thankfully I got it right, but I think I might mark it or tape it next time.
Thankfully everything worked as expected when I put it back on the stand and flipped the switch. The difference is night and day. No more slipping belts or the drive stopping when cutting heavy stock on the bandsaw or shaping something on the lathe at high speed.
With regular oiling, I shouldn’t have the issue with the floating motor sheave locking up again. Fingers crossed.