A Crystemas Goman

Yesterday I threw down a challenge to the Praxis community: 12 Days of Christmas Blogging. Blog every day from the 13th until Christmas. Flex that shipping muscle in the face of holiday obligations and time constraints. Stay on that grind when it is easy to let it slip.

Iâm playing with fire here because I have to ship, too. Like all good challenges, the blade has to cut both ways in order for it to be any fun.

Here is yesterdayâs post: How can I come up with more ideas? Archived Link

This reminds me of my favorite Christmas story: Sir Gawain and the Green Knight.

The story opens with at King Arthurâs court where he and his men are exchanging gifts and getting ready to feast. A gigantic green figure atop a green horse rides into the court with an axe and a piece of holly. He challenges the court to âa Crystemas Gomanâ – someone can strike him with his axe and he will return the stroke in a year and a day. Sir Gawain rises to the challenge and promptly lops off the knightâs head with his own axe. Not missing a beat, the knight picks his head up off of the floor, reminds Sir Gawain that they have date at the Green Chapel in a year and a day, then rides off as abruptly as he arrived.

I wonât ruin the rest for you. Give it a read this Christmas! The story teems with vivid, meaningful descriptions, double meanings, alliteration, imagery, and symmetry. It is a wonderful read.

To mark the occasion of my own Crystemas Goman, here is a translation I did of my favorite passage. I used Casey Finchâs Complete Works of the Pearl Poet for the text and the Oxford English Dictionary for reference of word meanings.

'Nay, frayst I no fyÈt, in fayth I Ã¾e telle; 279 Hit arn aboute on Ã¾is bench bot berdlez chylder. If I were hasped in armes on a heÈe stede, Here is no mon me to mach, for myÈtez so wayke. ForÃ¾y I craue in Ã¾is court a Crystemas gomen, For hit is Èol and Nwe Èer, and here ar Èep mony: If any so hardy in Ã¾is hous holdez hymseluen, Be so bolde in his blod, brayn in hys hede, Ãat dar stifly strike a strok for an oÃ¾er, I schal gif hym of my gyft Ã¾ys giserne ryche, Ãis ax, Ã¾at is heuÃ© innogh, to hondele as hym lykes, And I schal bide Ã¾e fyrst bur as bare as I sitte. 290

âNay, on my word, I seek no fight; 279 There are about these benches but beardless children. If I were fastened in armor on a noble steed, There is no man here to match me, for their strength is weak. And so I ask in this court for a Christmas game, For it is Yule and the New Year, and here are many agile fellows. If any in this hall holds himself hardy enough, Be so bold in his blood, mad in his mind, That dare swiftly strike one stroke for another, And I shall give him as my gift this well-wrought guisarme, This axe, that is plenty heavy, to handle as he likes, And I shall endure the first blow as bare as I sit. 290

Details

Frayst: (verb) Ask, seek, try, or test. From Fraisten. (a) To seek or search for (something), esp., to seek adventure or combat, go in quest of; (b) to seek or indulge in (worldly things). – I chose âseekâ here because each definition had this in common and because âto seekâ is an attempt to find something, which captures the uncertainty of the Green Knight barging in to Arthurâs court, even if he were seeking a fight, because he must be uncertain he will find one. Unfortunately, this translation does not preserve the alliteration in the line (frayst, fyÈt, fayth) but I think using the sequence (to seek, fight, on my word) better preserves the meaning, albeit at the sacrifice of some beauty.

fyÈt: (verb) to fight, contend. From Fighten: to contend with weapons, engage in armed conflict (en masse or singly), do battle. Or, (noun) hostile engagement, fight, spiritual or moral struggle. – I think âfightâ works best here because just a few lines earlier in the poem uses a different word (batayl) which can mean battle or contend, so if the poet wanted to repeat that, he could have. He instead used âfyÈtâ (likely to alliterate). Also, âfightâ is more personal than âbattle.â Since the Green Knight came alone looking for trouble, he would be looking for a fight, not a battle (which implies large groups fighting.) Also, âcontendâ today means to struggle with something or engage in a competition, which could have been the case for the Green Knight, but I think âfightâ fits better with the other words in the line.

Finchâs translation throws in âhave I comeâ at the end of this line which does not appear in the ME. While that phrase seems to be implied in the ME, it is not stated, so it does not make a lot of sense to add it in to the translation. Finch seems to add a lot of unnecessary words in this translation.

fayth: (noun) belief, religion, word of honor. From Feith. A formal pledge, assurance, or promise. Also, âa confidenceâ in someone, so itâs both an outward motion and an inward stance. – I chose âon my wordâ here to reflect the tradition of and emphasis on oral oaths that knights had and to take into account the phrase âI Ã¾e telleâ at the end of the line. âOn my wordâ conveys the idea of a spoken pledge, which takes into account both âfaythâ and âtelle.â To give oneâs word is a verbal pledge that someone must take in faith.

telle: (verb) from Tellen. tell, speak, say, describe, express, utter, report – See explanation for âfaythâ above.

Hit: it, there, etc. – Paired with âarnâ it is appropriate to translate this as âthere areâ since the line is about all of the men (plural) on the benches.

Aboute: (adv) about, around, towards every side, in all directions, in every part of something, everywhere, throughout – About gives the idea that they are on and all around instead of just around the benches. Also, âaboutâ is a concise way to both alliterate with âareâ and to portray the idea that the only people the Green Knight sees on and all around the benches around the table are âberdlez chylder.â

Bot: but, only quite, except; Alternate definition: a parasite affecting the skin. – I chose âbutâ here as it seems the most likely translation for âbotâ and it alliterates with âbenchesâ and âbeardless.â I found it interesting, though, that âbotâ is also a skin parasite. It is possible, if this parasite was common, the Pearl poet could have a little laugh at the idea of beardless youth/puny men being parasites upon Arthurâs benches. I think it is unlikely that this is the first meaning of the line, but it is interesting nevertheless. âButâ better fits the idea that the only men around Arthurâs bench are âberdlez chylderâ and the Green Knight is poking fun at them.

Berdlez: (adj) Without a beard, beardless, not having reached manhood, underage. – âBeardlessâ is both alliterative and a concise way to call out Arthurâs men as being puny and not worthy to fight a real man like the Green Knight. Calling a man beardless is a pretty good jab at him. It implies – âYou must not be a man because you canât grow a beard.â This leads to the next word.

Chylder: (noun) youth, child, a youth of noble birth, esp. an aspirant to knighthood – The Green Knight does not actually mean there are children sitting around Arthurâs table. He is poking fun at the strength and size of the men. They are all likely around the Green Knightâs physical age, but he is saying he is stronger than they are and they are not worthy to be called men. Using âchildrenâ here is more of a jab in modern language at the men around the table than calling them âyouth.â Calling a losing football team âyouthsâ will get you yelled at. Calling them âchildrenâ will probably get you beat up. When the Green Knight says these first two lines, he is basically saying he is not seeking a fight because there are only little boys here, not men worthy enough to fight him.

Hasped: (verb) from Haspen: To fasten (a door) shut; to fasten (a helmet), buckle or lace; to wrap (oneself) in a garment; enclose (in armor, clothing); to embrace (someoneâs neck), clasp. – Taken together with âin armesâ I translated this as âfastened in armorâ because being wrapped or enclosed in armor does not make much sense. A warrior or knight fastens his armor in preparation for a fight to make sure it does not fall off.

Armes: arms, armor. Taken together with âhasped in armsâ would then mean to be fastened or buckled in oneâs armor. (See previous explanation.)

HeÈe: (adj) high, lofty, noble, excellent, tall, great. – ânobleâ – See explanation for âstedeâ below.

Stede: A splendid, noble, spirited horse; a riding horse, a steed; (b) a war horse, charger; – I preserved what this word becomes in modern language, âsteed.â Paired with the previous word, I translated this to ânoble steed.â The Green Knight is a big, powerful knight and thus should be paired with a large, noble steed on which to pursue glory. The word ânobleâ encompasses high, tall, and lofty in itself, so I think it appropriate.

Note: This line is somewhat factious because the Green Knight just charged into the room on his massive steed in his armor. The âwere Iâ is a conditional and a roundabout way to say that he can beat anyone in the room. Since he is in armor on his steed, he is saying that no one in the room is as powerful as he is. Also, a note on Finchâs translation: âon a heÈe stedeâ does not really match up to âwarlike on steed.â HeÈe refers to the steed, not the Green Knight. Finch takes a lot of liberty with this line.

Mach: (verb) from macchen: To be an adequate opponent for, equal; be equal to, to match. Or: To marry; to become familiar with; to be paired with, work for, serve. Or: To fight, oppose, attack; also, to attack and overcome. – I chose âto matchâ here, but with the different definitions it could go multiple ways. Referring back to a hypothetical fight, âto matchâ works well here because it can mean an opponent that the Green Knight is paired with or that there is literally no one in the court to match the Green Knightâs skill and strength. The word play is interesting here, though: the âwork for,â or âserveâ can mean that there is no one in the court that the Green Knight would even let work for or serve him. Basically, the idea I tried to capture is that there is no one in this court, by the Green Knightâs opinion, as great as he is.

MyÈtez: from myÈt: might, can, may, will. Or: physical energy, vitality, vigor; exhausted, unconscious; very vigorous; physical strength. – I chose âstrengthâ here because, paired with âso wayke,â âmayâ does not make sense and the idea of âfeeble physical energyâ is not very appealing. The idea that no one can match the Green Knight because their strength is so weak makes a lot more sense and fits in with the storyline. Also, see part of the explanation for âwayke.â The potential word play here is interesting, though, if âexhaustedâ or âunconsciousâ is taken to be the translation of myÈtez, because we get the line to mean something like: âThere is no man here to match me, for they will be exhausted because they are so weak.â It adds a little different meaning. I think âstrengthâ here fits better, though, because the Green Knight is continuing his jabs at them by calling their strength weak.

Wayke: (adj) Weak, feeble. Of combative strength: ineffectual; deficient in bodily or muscular strength – I picked âweakâ as it has the connotation of the rest of the possible definitions. âDeficient bodily or muscular strength simply means âweakâ in modern usage. (This also strengthens the case for using myÈtez to mean âstrength.â) Calling someoneâs strength weak in modern language has a little more of a sting to it than calling their strength feeble or ineffectual. See part of the explanation above.

Note: Finchâs translation of this previous line is intriguing, especially since he takes the last part to mean: âthough mighty and sure.â The mighty part works well, but nowhere did I find wayke to mean âsureâ – Finch in the back does not even translate it that way. In the back, it is translated similarly to above.

ForÃ¾y: (conj) For that, on that account, therefore, consequently, accordingly, and so. – I chose to translate forÃ¾y as âand so.â This one was somewhat difficult for me because I think the meaning of âthereforeâ might have changed from ME to modern english. When I think of âtherefore,â I think of something logically following from the previous statements. This does not: I am not here for a fight, therefore I am here for a game. âAnd soâ captures the idea that the Green Knight is not here for a fight, âand soâ he will reveal what he is actually here for. This is one spot where I really like Finchâs translation. Finch translates it as âNo! I come to this courtâ¦â This captures the idea that the Green knight is reaffirming that he is not there for a fight and he reveals what he, therefore, is there for. (Ha, couldnât resist.)

Craue: (verb) From craven: to ask or beg for. Or: To long for, desire. Or: (noun) neck; throat; crop of a bird or fowl, craw. – Given the context, I think the neck/crop of a bird meaning is right out. In this case, I think it is either to ask, beg, or desire. I translated it as âaskâ because it fits in with coming to the court to âseekâ somethingâ¦ ask and seek go hand in hand. There is potential word play here and it can go multiple directions. For example, if craue is taken as âbeg,â we get a very different situation with the Green Knight. Instead of the GK being in charge of the given situation, he is at the mercy of Arthur if he is begging. Also, if we take craue as âdesireâ we get another meaning (explained in gomen below.)

Crystemas: Christmas

Gomen: game, festivity, revelry; a pastime, amusement; or joy, happiness. – I chose âgameâhere for the mystery associated with âChristmas gameâ that gets the reader wondering what this game is. There is wordplay going on, however. Should we take gomen to mean festivity or revelry, we get a different meaning because Christmas festivities and revelries are exactly what is going on at the court. Of course, when we read ahead, we understand that he is looking for more than revelries, but a game which he will spell out. If we take gomen to mean joy, we get yet another meaning, especially if we choose craue to be desire and gomen to mean joy. In this case, the Green Knight would have came to the court desiring Christmas joy, which could be a number of things. Again, if we read ahead and find out what he is really looking for, the âChristmas joyâ must be a very strange notion of joy. I think game fits best.

Èol: Yule, the Christmas season generally, Yuletide or Christmastime; specif. the festival season from Christmas Eve to Epiphany

Nwe Èer: New Year

Èep: Physically agile, skilled at a physical activity, adroit; nimble, active, quick; vigorous, lively; also, youthful in appearance or manner Or: Mentally agile, sharp-witted, astute, clever; also, as noun: clever fellows; full of stratagems, wily; also, full of sleights, crafty, cunning – I chose âagileâ here to preserve the poetâs open-ended meaning. Agile can refer to either mentally or physically agile – we will only know when the Green Knight reveals the game. (When he does, we realize it is a sense of both.) For either mental or physical, agile covers the other possible ways of translating this word. There is also a word play going on here with relating the mental or physical agility of the men to the season. A new year is seen to be lively, vigorous, and agile. Also, strangely, the poet says in this line that there are agile or lively men in this court, right after he pokes fun at them for being âberdlez chylder.â I havenât quite figured out what to make of this except that he is possibly tempting them into his âgameâ with this statement.

Mony: many, many a one; Or money; Or moon. – I was unsure about this word because I could not find a clear definition of it. There are a number of words in the MED that looked like they could work, but none of them made sense in the context (like money or moon.) I just settled on many because that is what the reference in the back of Finch used and it works well with the the idea that there are many agile fellows in Arthurâs hall. I suppose the translation could be something like âand here is cunning moneyâ but I am not sure that fits in the poem.

Hardy: (adj) Physically tough, hardy, enduring, brave, bold; of actions, faith: requiring resolution or courage, firm, fierce; Or: Audacious, presumptuous, rash, foolhardy – I translated this as âhardyâ – the same as in ME, because it preserves the open-ended meaning of the word. The word play here is interestingâ¦ it could mean bold, tough, brave, or firm on one hand, or presumptious and rash on the other hand. Of course, these seemly different meanings go hand in handâpride is a double-edged sword.

Hous: (noun) house, building, hall, etc. Or a covering for the back and flanks of a horse, horsecloth; also, a saddle cloth; a protective covering, case, sheath; – I translated this as âhallâ since these scene takes place in Arthurâs hall. Also, I wanted to preserve alliteration here: (hall holds himself hardy.) Another possible meaning emerges if we takes this as either a protective covering or a saddle cloth: the Green Knight could be poking fun at the men that act bold when protected from blows by armor or when they sit high on a horse, but would get defeated easily.

Holdez: holds, claims, thinks, views. – I chose âholdsâ for holdez in order to preserve the alliteration in this line. Changing from holds to claims, thinks, or views has a slight change in meaning, but nothing of depth. Since these have close to the same meaning in the context of the line, I chose the one that alliterates the best to preserve the alliteration from the ME.

Hymseluen: himself

Bolde: bold, valiant, daring. Of persons: brave, courageous, daring, fearless. Or: overconfident, forward, rash; brazen, presumptuous, shameless, impudent; – I chose âboldâ here because bold has multiple meanings in modern language, just as it does in ME. Again, there is good word play here with the line between boldness and overconfidence.

Blod: blood, emotion, anger, passion, (sexual) desire; courage, mettle, spirit; temperament, nature; Or: A living being, a creature, a person. – I chose âbloodâ here for two reasons: alliteration with bold and one of its modern meanings: temperament or disposition. We can choose any of these words and get the line to mean something slightly different, but having a bold temperament pretty much covers most of these. The poet could be pulling in a critique of knights under the rug if he had in mind that bolde in blod could mean bold or shameless in sexual desire.

Note: It is important to keep in mind that tweaking any of the words in a line could give the line a different meaning every time. Since each of these words in ME has multiple meanings, the meaning of each line (not to mention how each line interacts with each other line) starts to cover a wide range very quickly.

Brayn: (adj) mad, reckless, insane. (noun) brain (body part) – This has two different meanings depending on if we use it as an adjective or a noun. If a noun, then we get the end of the line to be: âbrain in his headâ-which is a fact, but not very insightful. We all have brains in our heads. If we take it as an adjective, however, we get âmad in his head,â which points to insanity. I chose to treat it as an adjective and translate it as âmad in his mindâ in order to preserve the alliteration of the line (though as Ms instead of Hs) and so that it adequately reflects the beginning of the line. (boldness and insanity can be different sides of the same coin.)

Hede: head, the seat of the mind; the mind; heart and mind; headstrong rashness; impetuously, rashly, unadvisedly. – I chose âmindâ here in order to create some alliteration and to help convey the idea of insanity. Given the other possible meanings of âhede,â I think this is justified. (headstrong rashness; impetuously, rashly, unadvisedly)

Dar: (verb) dare, to have the courage to, to be able to, or shrink, cower, bow down, submit. – I chose âdareâ here to portray the idea that someone might be mad enough to have the courage (read: dare) to take the Green Knight up on his offer. The interesting possible word play here is that instead of dare, one might be mad enough to âbow down,â âshrink,â or âsubmitâ to the Green Knightâs game. This could be pointing back to the beginning of the Green Knightâs monologue where he makes fun of the men for being weak. He could be suggesting that if they give in to his game they are weak in yet another way and can be easily manipulated.

Note: What is intriguing here is that the one who is âmad in his mindâ and âdaresâ to take the Green Knight up (or is manipulated by him) initially is only King Arthurâ¦

Stifly: Staunchly, steadfastly; unwaveringly; without ceasing, persistently; also, refractorily, stubbornly; boldly, swiftly, valiantly, courageously; also, proudly; also, loyally. – I chose âswiftlyâ here for alliterative purposes and to portray the motion of swinging a large axe through words. Also, it gives the connotation of someone stepping up without hesitation to exchange one blow for another (because stifly has more than one meaning in this situation and I tried to preserve that.)

Strok: (noun) A stroke, a blow delivered with a weapon; a slash, cut; a thrust or stab – I chose âstrokeâ here because a stroke is just one swing, which preserves the rules of the Green Knightâs gameâone stroke for another.

AnoÃ¾er: another, a second. – Though there is not much here, I think choosing âanotherâ over âa secondâ needs an explanation. One strike for another gives conveys the idea of that âanotherâ being a reciprocal strike rather than a second strike from the hand that struck first. Though âa secondâ would have added to the alliteration, I donât think the meaning was clear enough to warrant using it.

Schal: (verb) shall, will, must. – I chose âshallâ here because the meaning of shall in modern language expresses a strong assertion. The Green Knight is giving his word (back again to the importance of oaths) and will not break it. This is a theme in the rest of the poem.

Giserne: A long-shafted battle ax or halberd with a knife-like point rising from the blade â or the gizzard of a fowl; the liver of a fowl or a hare; the entrails of a fowl. – I chose guisarme here because that is the modern word for the weapon the Green Knight had and gives the reader a definite idea of what it is. If giserne did, in fact, also mean the entrails of a fowl, then this line has comical undertonesâthe Green Knight giving one of Arthurâs men gizzards as a gift. It is almost certain the GK meant his axe, but the potential double meaning is comical.

Ryche: (adj) rich, splendid, ornate, fine, noble, costly, precious, well-wrought, well-made. – I chose âwell-wroughtâ here because it assumes and subsumes the other adjectives I found for ryche.

HeuÃ©: heavy, serious, grievous. – I chose âheavyâ here as I wanted to put the emphasis on the axeâs weight (see explanation for innogh below.) The poet had word play going on here, though, because the two other definitions for heuÃ© give the line different meanings. A serious or a grievous axe have darker, more chilling undertones than a heavy one. This possibly forebodes what might happen later in the poem.

Innogh: (adj or adv) enough, plentiful, generous, abundant, great, very. – I chose âplentyâ here because not only is the Green Knight expressing the weight of the axe, but he is making another statement here as well. Earlier he said it is ânobleâ or âwell-wrought.â The weight of it could be a sign of its authenticity. âPlentyâ is the Green Knightâs way of assuring the men that it is indeed well-wrought and its weight alone might be sufficient to display that.

Hondele: (noun) A handle of a container, implement, etc.; a grip or hilt of a sword.

Lykes: likes, pleases, wishes, chooses, approves

Schal: (verb) shall, will, must. – Again, I chose âshallâ here because the meaning of shall in modern language expresses a strong assertion. The Green Knight is sure he will endure the blow and he is making a promise to his hosts that this is the case.

Bide: (verb) remain, wait, stay, endure; from Biden: to experience or undergo (sth.); to suffer or bear (hardship, etc.); to enjoy – I chose âendureâ here to express the idea that not only will the Green Knight take the blow, but he will patiently take it, he will not be harmed by it, and he will wait a while year before he retaliates (as we find out a few lines later.) To change âendureâ to suffer or bear would be to irretrievably lose some of this meaning.

Bur: (noun) from burre: onslaught, blow, force, or strike. – I chose âblowâ for alliterative purposes.

Bare: (adj) bare, naked, without armor, unprotected, or open. Also, unadorned, unornamented; simple, plain, crude, laid waste, destitute, or poor. – I chose to keep this as âbareâ because it portrays the idea that the Green Knight is not going to have extra protection, pull any tricks, or try to defend himself. Bare can mean without armor and unprotected, but also open, which helps the idea that he will not protect himself. He will be under the axe just as Arthurâs men see him.